Pioneer Theatre Company

	MARTIN PLATT* (Director) Pioneer Theatre Company: To Kill A Mockingbird. New York: The Power of Darkness, John Ferguson, and The Daughter-in-Law (Drama Desk nominee, Mint Theater); Treason (Perry Street Theatre); Irrationals (ATA), I’ll Never See The Stars Again (Mazer). Europe: Doubt (Vienna); Don Juan Flamenco (Sevilla); Miss Evers’ Boys (London); The Free State with Janet Suzman (UK Tour) Lady Day at Emerson’s Bar & Grill (London); I’ll Never See The Stars Again (Edinburgh). Regional: Huntington Theatre Company, Merrimack Rep, Alliance Theatre, Pioneer Theatre Company, Cincinnati Playhouse, Repertory Theatre of St. Louis, Geva Theatre, Asolo Theatre, New Mexico Rep, Birmingham Rep, Atlanta Opera, Birmingham Opera Theatre. Founding Artistic Director of the Alabama Shakespeare Festival; Artistic Director Santa Fe Stages; General Director Birmingham Opera Theatre. Co-director of Fifth Amendment Ltd. (UK) 1991-2001, producing over 50 productions in the UK and on tour. As a producer in New York: Shylock (Perry Street); Here Lies Jenny (Zipper); Treason (Perry Street); An Oak Tree (Barrow Street); In The Continuum (Perry Street and US Tour). Upcoming productions include 12 Angry Men (Repertory Theatre of St Louis); A Dangerous Personality (Off-Broadway); and a workshop of the Gershwins’ 1925 hit, Tell Me More. Mr. Platt is a native of Beverly Hills, California; a graduate of Carnegie-Mellon University; and currently resides in New York.
	WILLIAM BARCLAY (Set Designer) is active in theatre, film and television. On Broadway, he designed Solitary Confinement with Stacy Keach and Sally Marr & Her Escorts with Joan Rivers. Off-Broadway designs include A Shayna Maidel, Goblin Market, Lady Day at Emerson’s Bar & Grill, and the revivals of Kurt Wiell, Berlin to Broadway and Alan Sherman’s Hello Muddah, Hello Fadduh, among others. Mr. Barclay has designed more than 150 productions in New York and at regional theatres across the country, and has been nominated for the Drama Desk, Outer Critics Circle, Helen Hayes, and Drama-Logue Awards. He has also designed award winning TV commercials, consulted on PBS documentaries and designed Corporate Events internationally. In film, he has served as Production Designer on She’s The One, I Love You, I Love You Not, Men of Respect, Seven Girlfriends, Simply Irresistible and others. He has been Art Director on over a dozen feature films, including Glengarry Glen Ross, Beaches, and The Crow.
	CAROL WELLS DAY(Costume Designer) is one of PTC's resident costume designers and the costume shop supervisor. Her recent designs for PTC include Lost in Yonkers, Pride and Prejudice, James Joyce’s The Dead, The Importance of Being Earnest, Brighton Beach Memoirs, Cyrano de Bergerac, Peter Pan, The Three Musketeers, Joyful Noise, Big River, As You Like It, The Count of Monte Cristo, A Streetcar Named Desire, An Ideal Husband, Misalliance, To Kill a Mockingbird, and Hay Fever. She was assistant designer for Inherit the Wind at the Ford Theatre in Washington D.C. She worked for the Utah Shakespearean Festival for 13 years as a costume shop supervisor and designer. This is Carol’s second tenure at PTC. During her earlier stint she designed over 15 productions, including My Fair Lady, Oliver, and Romeo and Juliet. Carol has film and TV credits.
	MICHAEL GILLIAM (Lighting Designer) Broadway credits include: Brooklyn, Big River and Stand-Up Tragedy. The West End credits: Gershwin Alone. Off-Broadway: Striking 12, Blue, End Of The World Party, Zooman and the Sign, and Menopause The Musical. National tours include: Brooklyn, Guys and Dolls, and Big River. Regional: Arena Stage, The Globe Theatres, Mark Taper Forum, Seattle Repertory, The Goodman Theatre, The Guthrie Theater, The Pasadena Playhouse, The Geffen Playhouse, The Kennedy Center, Ford’s Theatre, Philadelphia Theatre Company, The Prince Music Theatre, Denver Center and Arizona Theatre Company. Awards: Los Angeles Ovation Award, Drama-Logue Award, Garland Award and the 1999 Career Achievement Award from the Los Angeles Drama Critics Circle.
	JOE PAYNE (Sound Designer) is in his eighth season as Resident Sound Designer for Pioneer Theatre Company and teaching sound design for the Department of Theatre at the U of U. He has designed sound and/or composed music for more than 100 productions in theatres throughout the country, including The Utah Shakespearean Festival (nine years), Alabama Shakespeare Festival, Salt Lake Shakespeare (two years), The Repertory Theatre of St. Louis, Cincinnati Playhouse In The Park, The Virginia Stage Company (four years), The Egyptian Theatre Company, Milwaukee Repertory Theatre, Utah Opera, The Fulton Opera House, and Utah Musical Theatre. Joe is a member of United Scenic Artist local 829, and is also the webmaster and web designer for PTC and the Theatre Department.
	AMANDA FRENCH (Hair and Makeup Designer) has been a Makeup and Hair Designer for over 16 years. She has worked for The Utah Shakespearean Festival, The Utah Opera, The Egyptian Theatre and the University of Texas at Austin. She is a contributing writer in the ninth edition of Stage Makeup by Richard Corson and James Glavan and is a featured artist in The Costume Technician’s Handbook by Rosemary Ingham and Liz Covey. She attended the College–Conservatory of Music at the University of Cincinnati where she studied with Hair and Makeup designer Lenna Kaleva. She is a member of the United States Institute for Theatre Technology (USITT).

Banner picture is PTC's 2007 production of Lost In Yonkers.